Sony’s most recent camera feature a touch-screen, but Sony only made full use of it with the A7R V. Consequently, the A7R V’s handling is significantly better than the A7R’s and quite a bit better than the A7R IV’s. Sony has improved the handling of each successive model. The very best focusing system, however, is in the A7R V which has 693 phase detection points and the very latest subject detection options which include Human (Right/Left Eye Select) / Animal (Right/Left Eye Select) / Bird / Insect / Car / Train / Airplane, all of which work in stills and video mode. Its autofocusing system is impressive so it’s even suitable for shooting sport. The A7R III also feels more rounded than the models that go before it. And while that could be significant for landscape photography, if you use ND grads or composite images, then it’s not THAT big a deal. However, we’re only talking about around 0.5EV. Where the A7R III scores over the A7R II for image quality is with the improved dynamic range at the lower sensitivity settings. Both of them resolve more detail than the original A7R which has a 36.4Mp sensor, but they can’t match the A7R IV or A7R V. Meanwhile, the 42.4Mp A7R III has the same sensor as the A7R II. That said, we’d recommend making ISO 12,800 the top value you use if possible. Their high pixel counts enable the two camera to capture a huge amount of detail and, thanks to Sony’s fantastic sensor-building knowhow and the BSI design, noise is controlled well. With 61 million effective pixels on their full-frame sensors, the Sony A7R IV and Sony A7R V are the highest resolution cameras in the A7 range.
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